Jeremy Denk Headlines “Ives Project,” Makes Chicago Symphony Debut, Returns to Carnegie Hall, and More

Jeremy Denk Headlines “Ives Project,” Makes Chicago Symphony Debut, Returns to Carnegie Hall, and More

 

 

“Denk, clearly, is a pianist you want to hear no matter what he performs, in whatever combination — both for his penetrating intellectual engagement with the music and for the generosity of his playing.” — New York Times

 

When Jeremy Denk paired Charles Ives’s “Concord” Sonata with Beethoven’s “Hammerklavier” Sonata for a sold-out recital at Carnegie’s Zankel Hall, Anthony Tommasini of the New York Times was awed to find that “he played these daunting scores, each about 45 minutes, from memory, bringing a rare combination of command and spontaneity to his dynamic performances.” Now the pianist reprises this same formidable pairing for the “Ives Project” at the Music Center at Strathmore (MD) on a program that incorporates readings from the iconic New England literary figures – Emerson, Hawthorne, Thoreau, and the Alcotts – to whom the four movements of Ives’s monumental sonata are dedicated (Nov 4). Beethoven also features in Denk’s next major solo recital of the season, when he couples the Op. 111 C-minor Sonata and the “Eroica” Variations with music by Brahms and Ligeti at New York’s 92nd Street Y (Dec 3). Denk showcases Beethoven again in two key orchestral appearances, playing the Third Concerto in his Chicago Symphony Orchestra debut with Michael Tilson Thomas (Dec 8–10) and the First Concerto at Carnegie Hall with the Orchestra of St Luke’s under Sir Roger Norrington (Feb 16). Upcoming season highlights also find the versatile pianist returning to the 92nd Street Y to resume his ongoing collaboration with cellist Steven Isserlis for the latest in a series of family concerts, introducing the life and music of Mozart (March 4).

If there is one composer in whose works Denk has inspired universal and heartfelt praise, it is thorny American experimentalist Charles Ives, and it is with the notorious Sonata No. 2, “Concord, Mass., 1840-1860” (c.1915), comprising philosophical portraits of Ives’s four famous New England transcendentalist friends, that Denk established himself as a leading exponent of the composer’s work. Released last fall on his own Think Denk Media label, Denk’s debut solo album – Jeremy Denk Plays Ives – was afforded a rapturously warm welcome. The pioneering composer’s music has traditionally been considered challenging by all but the most die-hard of new-music lovers. Yet in Denk’s hands, Ives’s two piano sonatas were rendered “downright seductive” (Washington Post), winning a place on end-of-year top-ten lists and holiday gift guides from the nation’s most trusted and influential media, including the New Yorker, New York Times, Boston Globe, and Washington Post. According to New York magazine, in which the disc was the only recording to make the “Year in Classical Music” top-ten list, “Denk’s balance of passion and precision makes [the “Concord” Sonata’s] strange beauty come suddenly clear, without losing any of its improvisational radicalism.”

In tribute to Ives’s lifelong admiration for Beethoven – whose symphonies he called “perfect truths” and whose Fifth Symphony is quoted in the “Concord” Sonata – the Music Center at Strathmore program concludes with Beethoven’s “Hammerklavier” Sonata. Also featuring readings by William Sharp, this November 4 concert serves as the centerpiece of the “Ives Project,” a three-day exploration and celebration of the composer, to which Denk also contributes an already sold-out master class on November 3, before participating in a chamber concert that evening.

This engagement is the first of numerous solo recitals in the pianist’s current lineup, which includes a December 3 appearance at the prestigious 92nd Street Y, with a program boasting two signature works for which he has consistently won praise. His account of Beethoven’s mystical final C-minor Sonata at Lincoln Center’s Mostly Mozart Festival was “alive to every suggestion and nuance in the score…an absolute joy to witness,” while after his rendition of Ligeti’s Études at Zankel Hall, MusicWeb International observed: “This was a monumental performance. Mr. Denk clearly set a benchmark for the Ligeti.” For his December 3 recital, these works will follow two sets of variations: Brahms’s Variations on a Theme by Schumann and Beethoven’s “Eroica” Variations, which take as their basis the same theme from the famous Third Symphony.

Beethoven also features in Denk’s orchestral programming this season. For his hotly-anticipated debut with the Chicago Symphony Orchestra, Denk undertakes Beethoven’s Third Piano Concerto – the composer’s first in a minor key and the one that marked his break with the Classical style – for three performances on December 8–10, under the direction of guest conductor Michael Tilson Thomas. It was with Beethoven’s First Piano Concerto that Denk made his Los Angeles Philharmonic debut this past March, stepping in at the eleventh hour to replace Martha Argerich, under conductor Gustavo Dudamel. The Los Angeles Times found his performance “riveting”; afterwards, “the audience erupted in applause and wouldn’t let Denk go” (Huffington Post). Likewise, the Detroit Free Press found his to be “the most viscerally exciting, emotionally absorbing, and intellectually rich account of Beethoven’s First Piano Concerto that [the reviewer had] ever heard in concert.” The pianist reprises the work for his return to Carnegie Hall’s main stage with the Orchestra of St. Luke’s on February 16, 2012, led by famed British conductor Sir Roger Norrington.

In addition to his work as recital and orchestral soloist, Denk looks forward to resuming two of his long-term chamber partnerships. First he joins violinist Joshua Bell for duo recitals in Boston and on a European tour; he then returns to the 92nd Street Y for a sixth season of Family Music with Steven Isserlis. Denk has previously collaborated with the British cellist on many family chamber concerts, each of which offers an introduction to the life and music of one of the great composers; in last December’s “Hardboiled Genius,” he served as guest artistic director to introduce the life and work of Stravinsky. On March 4, supported by violinists Daniel Philips and Pamela Frank and narration by Judy Kuhn, Denk and Isserlis join forces to present “The Prodigy and the Ponytail: The Life and Music of Mozart”: a family-friendly introduction to the astonishing child prodigy who is among the most beloved composers of all time.

A list of Denk’s upcoming engagements follows below, and much additional information is available at his web site: www.jeremydenk.net. The site includes the versatile pianist’s blog, Think Denk, which has earned plaudits among the cognoscenti; the New Yorker’s Alex Ross calls Denk “one of the most interesting writers I know.”

Jeremy Denk’s 2011-12 engagements

November 3

North Bethesda, MD

Music Center at Strathmore

Master Class / Chamber Concert

November 4

North Bethesda, MD

Music Center at Strathmore

Solo Recital

With William Sharp, reader

Ives: Piano Sonata No. 2, “Concord, Mass., 1840-1860”

Beethoven: Piano Sonata No. 29 in B flat, Op. 106, “Hammerklavier”

November 13

Scottsdale, AZ

Virginia G. Piper Theater – Scottsdale Center for the Performing Arts

Beethoven: 15 Variations and Fugue on an Original Theme, Op. 35, “Eroica”

Brahms: Klavierstücke, Op. 119

Ligeti: Études

Beethoven: Piano Sonata No. 28 in A, Op. 101

November 25–27

St. Paul, MN

St. Paul Chamber Orchestra / Douglas Boyd

Brett Dean: Pastoral Symphony

Brahms: Serenade No. 2 in A, Op. 16

Beethoven: Piano Concerto No. 1 in C, Op. 15

December 2

Schenectady, NY

Memorial Chapel – Union College

Recital

December 3

New York, NY

92nd Street Y

Solo recital

Brahms: Variations on a Theme by Schumann, Op. 9

Beethoven: 15 Variations and Fugue on an Original Theme, Op. 35, “Eroica”

Ligeti: Études, Book I

Beethoven: Sonata No. 32 in C minor, Op. 111

December 8–10

Chicago, IL

Chicago Symphony Orchestra / Michael Tilson Thomas

Beethoven: Piano Concerto No. 3 in C minor, Op. 37

January 12

Boston, MA

Isabella Stewart Gardner Museum Concerts with Joshua Bell

Bach: Partita No. 5 in G, BWV 829

Grieg: Violin Sonata No. 3 in C minor, Op. 45

January 15

Beacon, NY

Howland Cultural Center

Recital

Mozart

January 19 and 20

Oberlin, OH

Oberlin Conservatory of Music

Performance / Master Class

February 2

Birmingham, AL

Samford University

Performance / master class

February 7

Philadelphia, PA

Perelman Theater – Kimmel Center

Philadelphia Chamber Music Society

February 12

Beacon, NY

Howland Cultural Center

Recital

Mozart

February 16

New York, NY

Carnegie Hall

Orchestra of St. Luke’s / Sir Roger Norrington

Beethoven: Piano Concerto No. 1 in C, Op. 15

February 23

Scranton, PA

Mellow Theater

Community Concerts at Lackawanna College

February 25

Des Moines, IA

Sheslow Auditorium

Drake University

February 27

Fort Worth, TX

Bass Performance Hall

Van Cliburn Foundation

February 29

Schenectady, NY

Memorial Chapel – Union College

Union College Concerts

March 4

New York, NY

92nd Street Y

Family Program: “The Prodigy With The Ponytail”: The Life and Music of Mozart

March 11

San Francisco, CA

American Mavericks

Cowell: Piano Concerto

Chamber music with members of the San Francisco Symphony

March 22

Ann Arbor, MI

Hill Auditorium

American Mavericks

San Francisco Symphony / Michael Tilson Thomas

March 30

New York, NY

Zankel Hall

American Mavericks

Members of the San Francisco Symphony

April 19 and 21

St. Paul, MN

Music Room at SPCO Center

Kagel: Morceau de Concours for two trumpets

Ives: Largo for violin, clarinet and piano

Ligeti: Selected Études

Ives: Piano Trio

April 20 and 22

St. Paul, MN

Music Room at SPCO Center

Elgar: Piano Quintet in A minor, Op. 84

May 8–14

European recital tour with Joshua Bell

May 8: Madrid

May 9: London

May 10: Paris

May 14: Berlin

May 19

Washington, DC

Washington Performing Arts Society

June 3

Chicago, IL

Chicago Symphony presents “The Collaborative Pianist”

June 21–23

San Francisco, CA

San Francisco Symphony Orchestra / Michael Tilson Thomas

Liszt: Piano Concerto No. 1 in E flat

July 18

College Park, MD

Gildenhorn Recital Hall

University of Maryland

Kapell Competition

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